Jones’ hesitant, quiet vocals add new dimension to the track. When she breathily croons, “you could have your choice of men, but I could never love again,” the pain that lurks beneath the spry playfulness of the original is felt.
Jazzy vocal delivery and piano reveal the song as it really is: a total tearjerker. John also wins the unofficial “Best Music Video Rendition of ‘Jolene’” for this gem. Her hair is a spectacle unto itself in this unabashedly danceable version. Imagine Dolly Parton wearing Doc Martens during this one.ĭisco “Jolene” lives! Olivia Newton John hits the high notes like a Broadway star while quite literally skipping around the stage, hamming it up. It’s an appropriate spin on a song that traffics in jealousy.
Ithaca voice jolene full#
Jack White screams the lyrics, taking “Jolene” into full angst-ridden, rock territory. The White Stripes performed “Jolene” often enough that Googling the song reveals there are people who actually thought it was their own. Dolly is shown smiling appreciatively as Krauss, Suzanne Cox and Cheryl White deliver haunting harmonies together. The music is complimented by a twangy fiddle and Krauss’ angelic voice. Clarkson’s interpretation is equal parts soulful and minimal Dolly would be proud.Ī flash to Dolly in the audience is fitting for this rendition, performed by the legendary Alison Krauss during the Dolly Parton segment of the Kennedy Center Honors at the John F. Pared down, Clarkson stretches her American Idol-winning vocal chords over piano accompaniment. The lack of sentimentality also makes this version rare among typically belted-out covers.Ĭlarkson takes the song as a request and admits to loving it, which is fitting given her emotive vocals. Her cool kid delivery lends a certain eeriness to the song. Left unfinished, Smith admitted, “we don’t know this song” with total nonchalance. This paired down version of “Jolene” was performed at Cellar Door in Washington D.C. Dolly Parton also happens to be Miley’s godmother, and the two performed the song together in 2010. When she sings those iconic, wailed “Jolene’s” at the end in a raspy octave lower than Dolly the effect is nothing if not witchy. She put a memorable stamp on the song with resonant vocal flourishes. The “Miley Cyrus is actually talented” meter went off when this video hit the blogosphere. Bonus points for the Nocturnals’ beautiful jam and acoustic breakdown. The rapt audience response, inducing a haunting sing-along, speaks to how intense this must have been to witness live. Grace Potter’s slowed down, dynamic rendition is nothing if not chill-inducing. Here are 10 of the best, or at least most interesting, covers of Dolly Parton’s “Jolene.”
It’s fun to sing and hard to mess up if you have a good voice. Melodically, the song lends itself easily to interpretation. Novices and stars alike have contributed takes on the track. Ultimately, it’s the lowest rung on the ladder of romantic power play: to be humbled before “the next best thing.” Appealing to this universal fear with repetitive pleas and a brilliant hook made the track a hit-earning legend.Ī karaoke favorite and one of Parton’s signature hits, “Jolene” is also her most covered song. Parton’s plea is now legendary: “Please don’t take him just because you can.” It registers with the basest of bitterness we’ve all felt. Lyrically, it’s a simple song, but sometimes the simplest lyrics hit hardest. The somewhat sinister melody was inspired by a real-life encounter with a little red-headed child named Jolene, as she recounted to NPR Music a few years back.
Jolene Almendarez spoke with Laura Rosbrow-Telem on WRFI’s “Your Morning” on March 2 to share her impressions of this meeting.įeatured image credit: Prachi Ruina, an Ithaca High School student and one of the organizers of Students United Ithaca, speaking at the ICSD board meeting.Dolly Parton’s “Jolene” is a perfectly digestible ode to jealousy. These students, among others, spoke out at the ICSD board meeting, advocating to include discussions of race throughout the entire K-12 curriculum. After national right-wing outlets like Breitbart covered Ithaca students protesting the casting of a white female student in The Hunchback of Notre Dame‘s lead role Esmerelda - a role meant for a gypsy, which is typically cast by an actress of color - the students who organized this protest received threats of violence and death. Jolene Almendarez, the managing editor of the Ithaca Voice, reported on the Ithaca City School District’s board meeting in late February, which largely focused on the lack of discussion about race in the school system.
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